The Desert Window was commissioned in 2014 for the LSE’s new Faith Centre, an interfaith worship space as well as a centre for rigorous interreligious dialogue, research and training. The window’s subject points to the significance of the desert both as a place of spiritual intensity for many religions, and as a place of ‘inter-religious encounter’, in the words of the chaplain, the Revd Dr James Walters. The window thus expresses the role of the Faith Centre as a ‘place of stillness for all people, where different religious groups can “set up camp” for a while, but also a place to encounter people of other faiths, to hear their stories and to share hospitality.’

Nicholas Mynheer (b. 1958) and Roger Wagner (b. 1957) were commissioned to contribute to the enhancements programme at St Mary’s, Iffley, a Romanesque parish church in east Oxford.

The design is inspired by a 17th century map of the town and includes significant historical landmarks such as neolithic earthworks and an early medieval castle. The main road clearly marked on the map becomes a horizon line in the window. In the ‘sky’ above, a golden shape glows with light where the ruins of Ludgershall Castle now stand.

This work 'was created in honour of Bishop Michael Ramsey, and intended to reflect his theological interests, in particular his fascination with the Transfiguration of Christ... The window is in the South Quire Aisle and is 16x16m in size. This window is technically very assured and of high quality. Its location means that it can only really be seen at close quarters, and it is indeed very detailed in its depiction of biblical images.’

Ceri Richard's reredos and stained glass were conceived as a single triptych, abstractly flowing one into another. The tabernacle has more obvious imagery: the heavens, the chalice and the cross.

This window was designed by Eduardo Paolozzi, who was born in Leith, to replace the plain glass rose and lancets in the Resurrection Chapel. Given in memory of Mary Carmichael, a much loved member of the congregation, it was dedicated in October 2002. When the sun floods through the window, it transforms the plain stone and woodwork into a kaleidoscope of colour.

The Chagall windows at Tudeley were commissioned by Sir Henry and Lady d'Avigdor-Goldsmid in memory of Sarah d'Avigdor-Goldsmid, their daughter who died in 1963 at the tragically early age of 21, in a sailing accident off Rye. Sarah d'Avigdor-Goldsmid and her mother had visited the 1961 Louvre exhibition of Chagall's work.

A highly detailed yet monochrome window depicting billowing clouds. This work was joint winner, along with James Hugonin's window for the same church, of the 2011 ACE award for art in a religious context.

A triptych of modern stained-glass windows hanging in Gloucestershire Cathedral's South Ambulatory Chapel, the central one recalls the story of doubting Thomas, while those either side are abstract articulations of Psalm 148 which praises God's creation.

Window based on the theme of Psalm 150

Contemporary window chronicling the North Sea Oil industry, with links to Aberdeen and in memory of all those who lost their lives in the industry. The window won a Saltire Award for Arts in Architecture.

Light of the World is vast stained glass window, fully architecturally integrated in the Chapel of Robinson College, Cambridge.

St Martin in the Fields’ East Window by Shirazeh Houshiary in collaboration with Pip Horne was commissioned as part of major redevelopments within the church and its curtilage.

Rona Smith’s North Window panel is constructed from a web of whirling squares suspended in the window alcove. The squares spiral out from a central 'eye' whilst the panel itself curves into the space forming a sculptural arc which echoes the two dimensional pattern.

In 2015, Leslie Smith, the then Chairman of the Friends of Godmersham Church, approached the stained glass artist and conservationist Léonie Seliger with an idea to create new glass work for the church in memory of his late wife, Sue. The two windows at the apsidal east end of the largely unadorned North Chapel were chosen. The PCC soon approved the designs, which are a gentle celebration of nature and which recall the pattern made by exposed stones and their dark mortar joints fixed into the limestone arch above. 

Two windows installed in the Gibbs nave of the Cathedral. All Saints is the East window of South aisle and All Souls the east window of the north aisle.

This new, modern church was a collaboration between the architects Greenhill Jenner and Portal Architecture commissioned to replace the original church destroyed by fire in the 1970s.

Jonah Jones' concrete-glass window, baldacchino and mosaics are installed at the Catholic Church of St Patrick, Newport, Gwent. The large window shows the saint in purple archbishop’s vestments.