Curating art in churches
This two-year initiative focuses on forming partnerships to deliver contemporary art exhibitions in Anglican churches and cathedrals. Recent case studies and guidelines for curating temporary exhibitions have also been drawn up.
Four artists respond to the theme of fellowship in a series of installations for churches in Waltham Forest
Emma Smith, Euphonia
St Michael’s & All Angels, Walthamstow 22 June – 24 July
Euphonia is an interactive sound installation based on artist Emma Smith’s research into the musicality of human communication. The work invites visitors to become part of the installation, to add their own voices to the space and, in doing so, to author the score itself. Euphonia will also be installed at Holy Trinity, Leytonstone 26 July – 12 August.
Naomi Maxwell, Praxis and Proximity
St Edmund’s, Chingford 8 July – 1 September
Documentary photographs celebrating acts of fellowship in Waltham Forest, structured around the liturgy of the Eucharist.
Victoria Burgher, Crown
Exterior of All Saints, Leyton 10 June – 1 November
Crown is a public artwork in the form of a wreath of individually made metal-foil chrysanthemums produced by the artist Victoria Burgher in collaboration with school groups and the local community.
Hannah Whittaker, Parquet Picioare
St Margaret’s, Leytonstone 6 July – 1 September
Inspired by the church’s lively Romanian Orthodox congregation, Hannah Whittaker presents an installation of tessellating tiles which sit on top of the existing church floor and are personalised by members of the community.
A WORLD TO COME
An installation responding to medieval wall paintings at All Saints and St Andrew, Kingston
We are also currently working with All Saints and St Andrew's Church, Kingston, Cambs to commission an artist based at nearby Wysing Art Centre to make work for an exhibition within the church in summer 2019. The artist Bettina Furnée has been selected to take forward this commission and has re-imagined one of the church's medieval paintings – the Wheel of the Seven Acts of Corporal Mercy – for a contemporary audience. Her mixed media installation is comprised of seven individually designed chasubles onto which are stitched symbolic creatures such as ‘the peacock of humility’ and ‘the toad of generosity’. Her Seven Contrary Virtues reflect a departure from medieval morality to a world view in which good and evil are viewed on a single spectrum, and where opposing characteristics might be held safely together. Furnée also reflects on our cultural history of deploying animals (and women) to signify particular concepts or qualities, often undesirable ones.
Case studies of temporary visual arts projects in churches and cathedrals are available here:
All Saints, West Dulwich: a long duration, participatory residency
St Michael's, Discoed: an annual, themed, multi-artist exhibition and fundraiser
Art in Romney Marsh: an annual, site-specific festival across multiple rural churches
Salisbury Cathedral: an installation with a focus on community participation and education
Sheffield Cathedral: an exhibition in a citywide event showcasing works from private collections
All Saints, Skeyton: an exhibition in a rural area showcasing local art for sale
Commissioning New Art for Churches: a Guide for Parishes and Artists
A pdf to download with details guidance on commissioning new permanent works of art as well as temporary exhibitions. Published in partnership with ChurchCare.
The first Art in Churches project was a site-responsive installation hosted by St John the Baptist church in Newcastle. Ritournelle (once more, from the top) by Katia Kameli is the result of a short residency in Summer 2017, programmed in collaboration with Platforma, an arts and refugee network. This site-specific art work filled the small diamond panes of glass with coloured film, in patterns that recalled design and architecture motifs native to some of the primary countries from which refugees and migrants relocate to Newcastle. Countries and designs referenced include Punjabi Phulkari and Congolese Kuba textiles and Iraqi mosaic design.
Wanting also to create a sound work, Kameli invited migrants and refugees from the city, as well as members of the church choir, to sing a song which reminds them of home. These songs were recorded in situ at St John the Baptist and were available to listen to in the church.
The residency, production and installation of the work was managed by Laura Purseglove, Project Curator for Art and Christianity and the Church Buildings Division of the Church of England.
Kindly supported by Allchurches Trust, Arts Council of England, the Jerusalem Trust, the Headley Trust and the Pea Green Boat Community First Fund at the Community Foundation Tyne & Wear and Northumberland.
'A Light Shines in the Darkness', a touring exhibition of artists' films organised by Paul Bayley with Film and Video Umbrella. The programme included:
Suki Chan, Still Point
Alexander and Susan Maris, Uriel
Melanie Manchot, LEAP after the Great Ecstasy
Graham Ellard and Stephen Johnstone, Everything Made Bronze
Kathleen Herbert, Stable
Nick Crowe and Ian Rawlinson, The Carrier’s Prayer
Christian partner in the Three Faiths Forum Urban Dialogues exhibition.
20 January 2011
All Hallows on the Wall: Host to Jeffrey Charles Henry Peacock evening event.
13 October – 3 Decmber 2010
Wallspace gallery: 'Commission’ an exhibition of contemporary art in British Churches.
26 June – 13 July 2006
City of London Festival: three works by Yoko Ono at St Paul's Cathedral.
27 June – 13 July 2005
City of London Festival: INSIGHT included works by Nick Crowe and Ian Rawlinson, Adele Prince, Victoria Jones, John Newling, and Rebecca Horn.
St Edmund the King & Martyr, Lombard Street: Tom Gidley Your actual
St Stephen's Walbrook: Simon Hitchens In the Presence of Absence
Banner image: Katia Kameli, Ritournelle (once more, from the top), 2017